FORTHCOMING
“I find I am found in the middle of thoughts” — The Volta
“I knew my thoughts but was interested in thoughts” — The Volta
“Here’s a story I tell when my wind voice rains” — The Volta
“I value drabness a feeling that won’t collapse” — The Volta
“I love the trees when they are patient” — The Volta
“I know these clever little movements break” — The Volta
“The world is charged with faces bright as wings” — The Volta
“I had a feeling on the face of it a song” — The Volta
“For Lucie Brock-Broido” — Bennington Review
“Like a Dapple-Dawn-Drawn Falcon” — Plume
2018
“Belly Song” — Miracle Monocle
“Out in the bitter blue over the vacant street” — Iowa Review
2017
“Pedestrian” — poets.org
“The Greenness of Grass Is a Positive Quality” — poets.org
“Landscapelessness” — poets.org
“Each H (II)” — poets.org
“Poem In Which My Love Will Not Let You Down” Poetry Northwest
“Hot Talk” — Iowa Review
“Final Tea With Hoon” — Kenyon Review
2016
“The Brooklyn-Battery Bridge in the Brooklyn-Battery Tunnel” — Poetry
“Volley, Spate, Plethora” — Crazyhorse
“At the Breakwater” — Bennington Review
“My Domination” — Bennington Review
“Tarrying” — The Literary Review
“Vagrancy In the Slopes” — Public Pool
“Sprung Hums” — Public Pool
“Red Carrying Moon” — Public Pool
“Poem That’s Never Been To Jones Beach” — American Poetry Review
“Poem With All the Time In the World” — American Poetry Review
“Twentieth-First Century” — Guernica
2015
“Blue Views” — Phantom
“Advanced Fantasies Of the Cross-Bronx Expressway” — Colorado Review
“Visionary Labors Of the Astoria Pool” — Colorado Review
“Some Measure Of Our Aftermath” — Cream City Review
“Poem That Wants To Be Called the Westside Highway” — Poetry
“A Partial View Of the Triborough” — Poetry
2014
“Poem Where the Airplane Is Torn Apart” — Denver Quarterly
“Poem For the Opening Of the Hamilton Fish Park Pool, 1936” — The New Yorker
“Two Flags” — Ampersand Review
“Flag” — Ampersand Review
2013
“Days of Future Dwell” — Poets.org
“The Pennsylvania Station Sequence” — Driftless Review
2012
“Oh, Stereo,” “Erosion Studies,” “On Future Reflections” — Better: Issue 1
“What Is Good Appears, What Appears Is Good,” “To Move the Crowd” — Bomb
“Bird Order” — Explosion-Proof Magazine: 2:1
“Spy Poem” — Nonsite.org: March 24, 2012
“Often, Common, Some, and Free” — Ploughshares: 38:1
“Tinnitus Asks a Question” — A Public Space: Issue 16
“Evergreen Avenue” — Southeast Review: Issue 30.1
2011
“Black Helicopters” — American Poetry Review: 40:6
“A Few Parties,” “This Way I Know the Direction” — Love Among the Ruins: Issue 2
“Tourism” — The New Yorker: November 7, 2011
“Without Discussion” — Poets.org
2010
“The Pennsylvania Station Sequence” — Cannibal: Issue 5
“Descend, Descend” — Octopus Magazine: Issue 14
“Landscapelessness” — Spinning Jenny: Issue 11
2009
“The curtains are” — Cutbank: Issue 71
“Peter Gabriel,” “Cooler Heads” — Forklift, Ohio: Issue 20
“A Discrete or Continuous Sequence of Measurable Events Distributed in Time” — Fou Magazine: Issue 3
“Regionals” — Lit: Issue 17
“Population Oxygen,” “Honky Maison With Voice-Over,” “Each H (VI),” “A mountain is,” “A Clean Shirt” — Pool: Vol. 8
“Linear Park” — Tight: Issue 5
2008
“Each H (I),” “Each H (II),” “Each H (III),” “Each H (IV),” “Each H (V)” — Cannibal: Issue 3
“Nebraska,” “Pitchfork & Precedent” — Colorado Review: Vol. 35, No. 2
“Of Deadish New England Towns Sups the Incandescence” — Denver Quarterly: Vol. 42, No. 2
“Sails In the Trees” — New Orleans Review: Vol. 33, No. 2
“North Meadows” — New Review of Literature: Vol. 5, No. 2
“Each H (VI),” “Each H (VIII)” — Tin House: Issue 35
2007
“The Greenness of Grass Is a Positive Quality” — Boston Review: Vol. 32, July/August
“It’s Not My Fault I’m Special” — Indiana Review: Vol. 29, No. 1
“Cognitive Burr” — Modern Review: Vol 2., Issue, 4
“The sense there were more men than women” — Pool: Vol. 6
“Branches” — Tarpaulin Sky: Issue 13
“Nine at Nine” — VOLT: The War Issue
2006
“Consequences,” “Other People’s Cars” — The Canary: Issue 5
“Leather or Hazmat, Soon & Skillful” — The Colorado Review: Vol. 33, No. 2
“A Uselessness of Amadons,” “Photography Doesn’t Exist” — Denver Quarterly: Vol. 40, No. 4
“Pass-Pass, or All My Pulses,” “Oblong,” “Patriot Face,” “Language Isn’t My First English” — h_ngm_n: Issue 5
“High Blood,” “Molars On a Tinfoil Carpet,” “Prescriptions & Eyeballs” — La Petite Zine: Issue 18
“Mum, Wag” — Lit: Issue 11
“Barbour Street” — Massachusetts Review: Vol. 47, No. 4
“Archipelago This, Archipelago That,” “Uncomfortable Hand” — New England Review: Vol. 27, No.2
“Nutmeg Song,” “Aspic Heart,” “You Saw the Dog & Knew He’d Come for You,” “Hank’s Got a Dry Tongue,” “Palm Sunday Was Years Ago” — No Tell Motel
“No News Is the News I Need” — Notre Dame Review: Vol. 33, No. 2
“Everyone I Ever Knew From Pittsburgh,” “Fall Is for Football, Winter for Hockey,” “Tourists” — Painted Bride Quarterly: Print Annual 3
“To Samuel Amadon,” “The Sun Would Be a Hornet Sooner Than a House On Fire” — Typo: Issue 8
“The Meadows” — Verse: Vol. 23, Nos. 1-3
“Weather & Happiness” — Washington Square: Issue 17
2005
“The One Person That Winter Who Said I Love You” — American Letters & Commentary: #17
“A Dirty Trick” — American Poetry Review: Vol. 34, No. 2
“Michigan” — Black Warrior Review: Vol. 32, No. 1
“Head Injury” — Forklift, Ohio: Issue 14
“Day to Day” — Fourteen Hills: Vol. 11.1
“The Ex-Patriots In-State,” “Pretty Boys,” “The Shit We’re Born Into,” “Wells” — Western Humanities Review: Vol. LIX, No. 2
2004
“Before a Tree, After a Tree” — Borderlands: Texas Poetry Review, Number 23